Traditional Costume Value Framework of Lisu Nationality in NuJiang China based on Stolovich's theory of Artistic Value

The research scope of this study is Lisu women's costume in Nujiang Prefecture, Yunnan Province, China. The research focuses on the value types of Lisu costume. The objectives of this study are to identify the value types of Lisu costume, to develop a value framework of Lisu traditional costume...

Full description

Saved in:
Bibliographic Details
Main Author: YANGYANG, ZHU
Format: Thesis
Language:English
Published: 2021
Subjects:
Online Access:http://ir.unimas.my/id/eprint/40154/8/Zhu%20Yangyang%20ft.pdf
Tags: Add Tag
No Tags, Be the first to tag this record!
id my-unimas-ir.40154
record_format uketd_dc
institution Universiti Malaysia Sarawak
collection UNIMAS Institutional Repository
language English
topic GN Anthropology
NK Decorative arts Applied arts Decoration and ornament
spellingShingle GN Anthropology
NK Decorative arts Applied arts Decoration and ornament
YANGYANG, ZHU
Traditional Costume Value Framework of Lisu Nationality in NuJiang China based on Stolovich's theory of Artistic Value
description The research scope of this study is Lisu women's costume in Nujiang Prefecture, Yunnan Province, China. The research focuses on the value types of Lisu costume. The objectives of this study are to identify the value types of Lisu costume, to develop a value framework of Lisu traditional costume based on Stolovich's theory of artistic value and to make recommendations for the sustainable development of the Lisu traditional costume. This study applies a combination of qualitative and quantitative research approach. Through the mutual verification of previous researchers, this researcher, and Lisu people's viewpoints on the value of Lisu costume to determine the multiple value types of Lisu costume. Based on Stolovich's theory of artistic value, by discussing the value attributes of Lisu costume to construct the value framework of Lisu costume. By evaluating the multiple values of Lisu costume, and linking the evaluation results with the value framework to propose systematic recommendations for the sustainable development of Lisu costume. The research finding is that the Lisu costumes have rich value and perfect value framework. The research concluded that the Nujiang Lisu costume contains practical value, craft value, aesthetic value, historical and cultural value, symbolic value, national identification value, education value, scientific research value, social value, institution and ethics value, economic value, tourism development value, collection value and ecological value, emotional expression value. The value framework of Nujiang Lisu costume is developed by matching the above costume value with Stolovich's artistic value theory. The result of Lisu costume value assessment reveals the true status of Lisu costume in Nujiang local life. The comparison of the results of the Lisu and non-Lisu costume draws the conclusion that the costume value framework is universal. Based on the 7 types of advantage values and 8 types of disadvantage values classified by the evaluation results, recommendations for the sustainable development of Lisu costume are put forward. This study implicates to arouse more public attentions and interests in the national costumes of the Lisu people in Nujiang, and hopes that Nujiang Lisu national costumes can be better protected and inherited.
format Thesis
qualification_name Doctor of Philosophy (PhD.)
qualification_level Doctorate
author YANGYANG, ZHU
author_facet YANGYANG, ZHU
author_sort YANGYANG, ZHU
title Traditional Costume Value Framework of Lisu Nationality in NuJiang China based on Stolovich's theory of Artistic Value
title_short Traditional Costume Value Framework of Lisu Nationality in NuJiang China based on Stolovich's theory of Artistic Value
title_full Traditional Costume Value Framework of Lisu Nationality in NuJiang China based on Stolovich's theory of Artistic Value
title_fullStr Traditional Costume Value Framework of Lisu Nationality in NuJiang China based on Stolovich's theory of Artistic Value
title_full_unstemmed Traditional Costume Value Framework of Lisu Nationality in NuJiang China based on Stolovich's theory of Artistic Value
title_sort traditional costume value framework of lisu nationality in nujiang china based on stolovich's theory of artistic value
granting_institution Universiti Malaysia Sarawak
granting_department Faculty of Applied and Creatives Arts
publishDate 2021
url http://ir.unimas.my/id/eprint/40154/8/Zhu%20Yangyang%20ft.pdf
_version_ 1811771560601583616
spelling my-unimas-ir.401542024-07-30T02:13:23Z Traditional Costume Value Framework of Lisu Nationality in NuJiang China based on Stolovich's theory of Artistic Value 2021-12 YANGYANG, ZHU GN Anthropology NK Decorative arts Applied arts Decoration and ornament The research scope of this study is Lisu women's costume in Nujiang Prefecture, Yunnan Province, China. The research focuses on the value types of Lisu costume. The objectives of this study are to identify the value types of Lisu costume, to develop a value framework of Lisu traditional costume based on Stolovich's theory of artistic value and to make recommendations for the sustainable development of the Lisu traditional costume. This study applies a combination of qualitative and quantitative research approach. Through the mutual verification of previous researchers, this researcher, and Lisu people's viewpoints on the value of Lisu costume to determine the multiple value types of Lisu costume. Based on Stolovich's theory of artistic value, by discussing the value attributes of Lisu costume to construct the value framework of Lisu costume. By evaluating the multiple values of Lisu costume, and linking the evaluation results with the value framework to propose systematic recommendations for the sustainable development of Lisu costume. The research finding is that the Lisu costumes have rich value and perfect value framework. The research concluded that the Nujiang Lisu costume contains practical value, craft value, aesthetic value, historical and cultural value, symbolic value, national identification value, education value, scientific research value, social value, institution and ethics value, economic value, tourism development value, collection value and ecological value, emotional expression value. The value framework of Nujiang Lisu costume is developed by matching the above costume value with Stolovich's artistic value theory. The result of Lisu costume value assessment reveals the true status of Lisu costume in Nujiang local life. The comparison of the results of the Lisu and non-Lisu costume draws the conclusion that the costume value framework is universal. Based on the 7 types of advantage values and 8 types of disadvantage values classified by the evaluation results, recommendations for the sustainable development of Lisu costume are put forward. This study implicates to arouse more public attentions and interests in the national costumes of the Lisu people in Nujiang, and hopes that Nujiang Lisu national costumes can be better protected and inherited. Universiti Malaysia Sarawak 2021-12 Thesis http://ir.unimas.my/id/eprint/40154/ http://ir.unimas.my/id/eprint/40154/8/Zhu%20Yangyang%20ft.pdf text en validuser https://www.nveo.org/ phd doctoral Universiti Malaysia Sarawak Faculty of Applied and Creatives Arts [1] Y. Sun and J. Liu, "Transformation of the value connotation of folk costumes," Journal of Nantong Textile Vocational and Technical College, 2, pp. 45-38, 2013. [2] L. X. Li, "Analysis on the value of Hani costumes - Taking Hani costumes in Mojiang Hani Autonomous County, Pu'er City, Yunnan Province as an example," China Nationalities Expo, 3, pp. 28-31, 2016. [3] J. Pei, "Study on the Artistic Value of Guangxi Minority Costumes," Popular Literature and Art, vol. 17, pp. 70-71, 2016. [4] E. N. Hua, A Study of Miao Costume Culture and Aesthetic Value, China: Jiangsu University, 2013. [5] X. Y. Chen, "Interpretation of the Educational Value of Miao Costume Symbols - An Educational Anthropological Study Based on Xijiang," Guizhou Ethnic Studies, vol 5, pp. 58-63, 2012. [6] J. W. Zhong, Introduction to Folklore. Shanghai: Shanghai Literature and Art Publishing House, 1999. [7] H. Y. Cai, "Traditional educational value and contemporary educational methods of Miao costumes," Journal of Baoshan University, 35(4), pp. 61-69, 2016. [8] S. Zeng, Research on the Value and Development of Tourism Resources of Miao Nationality Costume Culture in Guizhou Province. Chongqing: Chongqing Normal University, 2012. [9] M. K. Zhou, "The cultural characteristics, functions and values of costumes in "The Biography of King Gesar": Taking Lingguo costumes as an example," Tibet Studies, 5, pp. 90-99, 2013. [10] W. Zou, "The cultural value of Chinese traditional costume craftsmanship," Hundred Schools in Arts, A1, pp. 471- 472, 2012. [11] Y. Lai, "Development of Western Minority Cultural Resources to Market," Nationalities Publishing House, vol. 2, pp. 216, 2007. [12] J. Jin and J.J. Li, "Ecological value and cultural self-consciousness of ethnic costumes in the Wuling Mountains," Journal of Wuhan Textile University, 30(4), pp. 21-24, 2017. [13] x. Ru, New dictionary of social sciences. Chongqing: Chongqing Publishing House, 1988. [14] G.T. Zhou, "Questionnaire survey method," Psychological development and education, 1, pp. 31-34, 1990. [15] F. Q. Gao and J. H. Lu, Theory and Art of Survey Research. Peking: China University of Political Science and Law Press, 1987. [16] D. S. Yang, "On Dress-ology as a Sub-discipline in Art Theory," Art & Design Research, 4, pp. 5-9, 2017. [17] L. N. Stolovich and J. Y. Ling, The Function of Art Activities. Shanghai: Xuelin Publishing House, 2008. [18] L. N. Stolovich, Life`Creation`People-The Function of Art Activities. Peking: Renmin University of China Press, 1993. [19] Y. Y. Zhu, Y. M. Rafee and F. Sahari, "Lisu Women Costumes in Nujiang as a Cultural Heritage," International Journal of Service Management and Sustainability, 5(2), pp. 107-128, 2020. [20] J. B. Lu, Lisu Studies Historical Materials Series. Kunming: Yunnan University Press, 2020. [21] X. H. Xing, Art mastery. Peking: Beijing Times Chinese Press, 2016.