Visual Analysis of Ceramic Decoration in the Qianlong Period of Qing Dynasty using Heinrich Wölfflin 's and Erwin Panofsky's Methods

During the Qianlong period of the Qing Dynasty, the development of Chinese ceramic decorative arts achieved rich results and created many exquisite ceramic decorative arts and forms. This study takes the ceramic decorative art of the Qianlong period of Qing Dynasty as the research object, using the...

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Main Author:	Ying, Li
Format:	Thesis
Language:	English
Published:	2024
Subjects:	NK Decorative arts Applied arts Decoration and ornament
Online Access:	http://ir.unimas.my/id/eprint/46376/3/Thesis%20PhD_Li%20Ying.pdf
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id	my-unimas-ir.46376
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spelling	my-unimas-ir.463762024-10-29T01:46:37Z Visual Analysis of Ceramic Decoration in the Qianlong Period of Qing Dynasty using Heinrich Wölfflin 's and Erwin Panofsky's Methods 2024-06 Ying, Li NK Decorative arts Applied arts Decoration and ornament During the Qianlong period of the Qing Dynasty, the development of Chinese ceramic decorative arts achieved rich results and created many exquisite ceramic decorative arts and forms. This study takes the ceramic decorative art of the Qianlong period of Qing Dynasty as the research object, using the method of formal analysis and iconography to study the ceramic decorative art of the Qianlong period. To determine the theme, artistic characteristics, form and symbolic meaning of ceramic decoration images in the Qianlong period of Qing Dynasty. Based on literature and image data, this study mainly uses Heinrich Wölfflin 's form analysis and Erwin Panofsky 's iconography research methods to classify ceramic decorative patterns and summarize the traditional meanings of decorative patterns, and explores the forms and artistic characteristics of decorative patterns from the perspective of analyzing the visual forms of artworks. Then the symbolic meaning of decorative patterns is explored by using the method of image science. The results show that the ceramic decorative patterns of Qianlong period can be divided into 9 types, and each type can be divided into many small categories. Each decorative pattern has a specific traditional Chinese cultural meaning. At the same time, these ceramic decorative patterns are very beautiful, with two artistic characteristics of complexity and gorgeousness. Finally, from the perspective of analyzing the background of politics, economy, culture and art, this paper summarizes the symbolic meaning of ceramic decorative patterns. In the past, domestic scholars' research on ceramic decoration during the Qianlong period mainly focused on the historical development of Chinese ceramics and the historical background of the development of Chinese ceramics. It rarely involves a comprehensive, systematic, multi-level image analysis of the ceramic decoration of a particular king, especially the Qianlong Emperor. Through the research, we can supplement more reference and basis for the study of ceramic decoration in Qianlong period academically, and provide some practical reference materials for students and lovers of ceramic art. Universiti Malaysia Sarawak 2024-06 Thesis http://ir.unimas.my/id/eprint/46376/ http://ir.unimas.my/id/eprint/46376/3/Thesis%20PhD_Li%20Ying.pdf text en validuser phd doctoral Universiti Malaysia Sarawak FACA
institution	Universiti Malaysia Sarawak
collection	UNIMAS Institutional Repository
language	English
topic	NK Decorative arts Applied arts Decoration and ornament
spellingShingle	NK Decorative arts Applied arts Decoration and ornament Ying, Li Visual Analysis of Ceramic Decoration in the Qianlong Period of Qing Dynasty using Heinrich Wölfflin 's and Erwin Panofsky's Methods
description	During the Qianlong period of the Qing Dynasty, the development of Chinese ceramic decorative arts achieved rich results and created many exquisite ceramic decorative arts and forms. This study takes the ceramic decorative art of the Qianlong period of Qing Dynasty as the research object, using the method of formal analysis and iconography to study the ceramic decorative art of the Qianlong period. To determine the theme, artistic characteristics, form and symbolic meaning of ceramic decoration images in the Qianlong period of Qing Dynasty. Based on literature and image data, this study mainly uses Heinrich Wölfflin 's form analysis and Erwin Panofsky 's iconography research methods to classify ceramic decorative patterns and summarize the traditional meanings of decorative patterns, and explores the forms and artistic characteristics of decorative patterns from the perspective of analyzing the visual forms of artworks. Then the symbolic meaning of decorative patterns is explored by using the method of image science. The results show that the ceramic decorative patterns of Qianlong period can be divided into 9 types, and each type can be divided into many small categories. Each decorative pattern has a specific traditional Chinese cultural meaning. At the same time, these ceramic decorative patterns are very beautiful, with two artistic characteristics of complexity and gorgeousness. Finally, from the perspective of analyzing the background of politics, economy, culture and art, this paper summarizes the symbolic meaning of ceramic decorative patterns. In the past, domestic scholars' research on ceramic decoration during the Qianlong period mainly focused on the historical development of Chinese ceramics and the historical background of the development of Chinese ceramics. It rarely involves a comprehensive, systematic, multi-level image analysis of the ceramic decoration of a particular king, especially the Qianlong Emperor. Through the research, we can supplement more reference and basis for the study of ceramic decoration in Qianlong period academically, and provide some practical reference materials for students and lovers of ceramic art.
format	Thesis
qualification_name	Doctor of Philosophy (PhD.)
qualification_level	Doctorate
author	Ying, Li
author_facet	Ying, Li
author_sort	Ying, Li
title	Visual Analysis of Ceramic Decoration in the Qianlong Period of Qing Dynasty using Heinrich Wölfflin 's and Erwin Panofsky's Methods
title_short	Visual Analysis of Ceramic Decoration in the Qianlong Period of Qing Dynasty using Heinrich Wölfflin 's and Erwin Panofsky's Methods
title_full	Visual Analysis of Ceramic Decoration in the Qianlong Period of Qing Dynasty using Heinrich Wölfflin 's and Erwin Panofsky's Methods
title_fullStr	Visual Analysis of Ceramic Decoration in the Qianlong Period of Qing Dynasty using Heinrich Wölfflin 's and Erwin Panofsky's Methods
title_full_unstemmed	Visual Analysis of Ceramic Decoration in the Qianlong Period of Qing Dynasty using Heinrich Wölfflin 's and Erwin Panofsky's Methods
title_sort	visual analysis of ceramic decoration in the qianlong period of qing dynasty using heinrich wölfflin 's and erwin panofsky's methods
granting_institution	Universiti Malaysia Sarawak
granting_department	FACA
publishDate	2024
url	http://ir.unimas.my/id/eprint/46376/3/Thesis%20PhD_Li%20Ying.pdf
_version_	1818611691475173376

Visual Analysis of Ceramic Decoration in the Qianlong Period of Qing Dynasty using Heinrich Wölfflin 's and Erwin Panofsky's Methods

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