الصور البيانية لدى الشيخين عبد القادر الجيلاني وحمزة الفنصوري : دراسة تحليلية مقارنة /

This study compares the poems of two poets; 'Abdul Qadir Al-Jilani, an Arab poet, and Hamza Al-Fansuri, a Malay poet, as well as describes the Sufism terminologies in their poems. The focus of this study are the imagery (Tashbih) and the constituent elements of these features. The researcher us...

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主要作者: Ahmad Alhafiz Rustam Effendi (Author)
其他作者: أحمد الحافظ روستم أفندي
格式: Thesis
语言:Arabic
出版: Kuala Lumpur : Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia, 2014
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在线阅读:http://studentrepo.iium.edu.my/handle/123456789/8589
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040 |a UIAM  |b eng 
041 |a ara 
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100 0 |a Ahmad Alhafiz Rustam Effendi,  |e author  |9 29942 
242 1 3 |a al-Suwar al-bayaniyah laday al-shaykhayn 'Abdul al-Qadir al-Jilani wa Hamzah al-Fansuri :  |b dirasah tahliliyah muqaranah 
245 1 2 |a الصور البيانية لدى الشيخين عبد القادر الجيلاني وحمزة الفنصوري :  |b دراسة تحليلية مقارنة /  |c  اعداد, أحمد الحافظ بن روستم أفندي 
264 1 |a Kuala Lumpur :  |b Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia,  |c 2014 
300 |a [ xii ], 90 leaves :  |b illustrations ;  |c  30cm. 
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500 |a  Abstracts in English and Arabic.  
500 |a "بحث متطلب مقدم لنيل درجة الماجستير في العلوم الإنسانية (الأدبيات)."--On title page. 
502 |a Thesis (MALT)--International Islamic University Malaysia, 2014. 
504 |a Includes bibliographical references (leaves 76-80). 
520 |a This study compares the poems of two poets; 'Abdul Qadir Al-Jilani, an Arab poet, and Hamza Al-Fansuri, a Malay poet, as well as describes the Sufism terminologies in their poems. The focus of this study are the imagery (Tashbih) and the constituent elements of these features. The researcher used the inductive approach as well as extrapolation for the comparison purpose. Generally, Al-Jilani was comfortable in the use of similes, metaphors and metonymy in a balanced manner. Meanwhile, Al-Fansuri had mostly used metaphors, had the least usage of metonymy, and a satisfactory use of similes. For the constituent elements, Al-Fansuri clearly demonstrated his opponent's influence on him by introducing the use of meanings which were known to Arab (culture), not the Malay, such as wine and its madness while symbolizing or describing divine love in particular. Thus, this study confirms the issue of Arabic influences on Malay poems in this respect in both aspects: imagery features and constituent elements. 
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700 0 |a أحمد الحافظ روستم أفندي  |9 29943 
710 2 |a International Islamic University Malaysia.  |b Department of Arabic Language and Literature 
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